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“We bought three Lasergraphics Producers because of how seamlessly they integrated into our DI, film preservation, and restoration workflow.”
Kevin Sanders — V.P. of Engineering
Ascent Media, Burbank, CA
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| “Our Lasergraphics film recorder is as sharp as any recorder I have seen and the fidelity of its image quality is superb. Also, the Lasergraphics team is knowledgeable, reachable and prompt... their excellent support helps ensure our ongoing productivity.” |
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Julius Friede — Senior Colorist
Matchframe, Burbank, CA
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| A digital intermediate pioneer, Mr. Friede's credits include O Brother Where Art Thou, one of the first major features to employ the DI process. |
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“We looked at the output from the leading filmout machines and the P3 was hands down the best. And of course being able to read in Quicktime files directly from our Final Cut Pro online systems without any additional rendering made the P3 a very easy choice for E3Media.”
Brian Austin Green — Film Producer and Partner
E3Media, Hollywood, CA
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| “The color richness and deep contrast we achieved with the Producer 3 are the best I've seen from any film recorder.” |
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Don Nikkinen — Vice President
Cinetech, Valencia, CA
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“We are very happy with The Director. Lasergraphics has a fantastic team and a fantastic scanner that I'm sure will make their competitors cry.”
Peter Barber — Managing Director
“The scans from The Director surpass the quality of any datacine or telecine I've worked with over the last 18 years. The Director's mechanical engineering is world class precision work in itself, simplifying the entire scanning process even further. It's a real treat to work with a no fuss machine that repeats its scanning task with flawless results.”
Charlie Ellis — Senior Colorist
Blackmagic Design, Singapore
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| “We tested most of the scanners currently available. The Director matches the competitors on resolution and color, and its noise level is the lowest of them all. The Lasergraphics Director is the clear winner.” |
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“Studios (owning other film recorders) and clients are coming back to us again and again because of our quality and speed on both full film DI transfers and tape-to-film recording. Buying the P3 was one of our best decisions.”
Manohar Shetty — Managing Director
Quality Cine Labs Pvt Ltd, India
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| “During the posting of What the #$*! Do We (k)now!? and the sequel What the Bleep!? Down the Rabbit Hole, three things mattered to me — schedule, picture quality, and budget. We made our theatrical dates, even with challenging deadlines. We got great picture quality. And we were able to do it for a price we could afford. Thank you Lasergraphics.” |
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Straw Weisman — Associate Producer
What the #$*! Do We (k)now!?
Co Producer
What the Bleep!? Down the Rabbit Hole
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“My P3 allows me to use whatever film stock I need for the job — color or B&W intermediate, low or high speed camera negative, even direct positive. No matter which stock I choose, I always get the results I want.”
Dirk De Jonghe — Managing Director
Color by DeJonghe, Kortrijk, Belgium
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| “We get very predictable results whether we work with 16Bit linear or logarithmic DPX/Cineon files. Our clients are very impressed with our output and speed of delivery — and that's what counts.” |
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John David Hukom — CEO
Ignite Media Inc., Philippines
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“Last fall we found ourselves up against impossible delivery dates for Chicago, Maid in Manhattan, Two Weeks Notice, and Analyze That all at the same time. The Lasergraphics Producer saved the day with film quality second to none at amazing speed.”
Randy Balsmeyer — President
Big Film Design, New York, NY
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| “For the last decade, film recording has been plagued by a lack of speed. Lasergraphics is the first company to start speeding up recording and bringing prices down. [Also,] it produces superior-quality product; there is no flaring, and there's extremely good resolution and dynamic range.” |
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Balazs Nyari — President
Cineric, New York, NY
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“With the amazing speed of the Producer 2, we recorded the entire Cinerama Adventure project in one weekend without any errors. The astonishing sharpness, clarity and color we achieved with the Producer 2 are the best I've ever seen. Your recorder brought out colors I didn't even know were there! I was also delighted to discover that those portions of the documentary shot on video look like they were film-originated. I am so pleased with the results we achieved that I will insist on using the Lasergraphics Producer 2 for all future projects.”
David Strohmaier — Producer/Director
Cinerama Adventure
(produced in association with the ASC)
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© 2008 Lasergraphics, Inc.
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