Quality
Flexibility
The Director's future-proof modular design allows for quick and easy onsite option changes, upgrades and maintenance.
- Streamlined Archival Film Scanning and Restoration.
- No-risk system integration.
- Film gate options:
- 35mm 2/3/4 perf negative film
- 35mm 2/3/4 perf print film
- 35mm 2/3/4 perf restoration negative film
- 16mm/Super 16mm
- Full transport and scanning control.
- 16mm/35mm optical and 16mm magnetic soundtrack reader options featuring:
- Automatic alignment
- Simultaneous scanning of image and soundtrack
- Synchronized image and sound output to QuickTime or WAV file
- Reduced frame rate sound scanning for fragile film
- Adjustable horizontal and vertical framing
- Selectable imaging speed from 1 to 14 frames/second
- KeyKode Reader with KeyKode-based job management
- Automatic or manual DMin calibration
- Multiple simultaneous output resolutions and data formats
including DPX and all popular QuickTime codecs.
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Speed
Telecine is Dead!
The Director isn't just fast, in a file-based workflow its faster than the traditional telecine model.
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- 14 frames/second at 1.85
- 11 frames/second at full aperture
- 3 frame/second for 4K, full aperture
- Fast HD QuickTime Dailies
- Fast shuttling option up to 100 frames/second with image preview and KeyKode recognition.
- Fast interactive grey balance and base calibration
Simplicity
Simplicty and ease of use are hallmarks of Lasergraphics products. Installation and setup of The Director takes less than 2 hours and the intuitive graphical user interface makes it easy to begin scanning within minutes.
- Host computer pre-configured and ready to use with MS Windows and Lasergraphics CineDirector ™ Motion Picture Film Scanning System software.
- RollView ™ with thumbnail preview and automatic clip/splice detection at up to 100 frames/second.
- Per-clip color grading
- Negative film type optimization
- Preview full screen image as it would appear on print film and adjust printer lights for optimal display (does not affect scanned image data).
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